It was a way to explore some of these ideas of what films sound like and how they can exist in an album in a way that’s less prescriptive than that. I don’t know if it was particularly successful or not. That’s sort of the way the record developed. We tried to play with natural spaces and we tried to make quite a bit of room for the film to exist within the record. To try to articulate that would take me weeks. The third layer is how to make a record of the sound of a film. The second layer is how to make music for a film. The first layer is the idea of a film score. So I think there are layers of how to approach the ideas that a lot of the music on the album is trying to explore. I’m getting a lot of positive response from people and I hope there’s something for people to latch on to. It gave me a lot of faith that the way I was approaching it could be full of detail, and I think it has some of that and a lot of other things in there. I could hear not so much around the world, as the world on the bottom of a boat or the beauty in the birds and the rats in the gondola. Ministry Of Sound Full Discography Torrent -> īut in this case, working with the films, it was very clear where I could take those GoPro cameras. Ministry Of Sound Full Discography Torrent
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